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It is a number of essays by means of a global workforce of students, focusing on problems with aesthetics and verbal exchange in Kierkegaard's writing. The members discover the consistent and complicated interplay in his authorship among medium and message, writer, authority and reader, textual content and transcendence, interpreting and misreading. With consistent connection with the spiritual thrust of his paintings, Kierkegaard is taken care of either as a huge contributor to the theoretical dialogue of conversation and as a talented literary practicioner. The views are diverse, and the individuals carry more than a few designated pursuits to undergo on their interpretation of Kierkegaard: from outdated testomony experiences to opera, from theological hermeneutics to Nietzsche and modern feminism. there's, now not unusually, no effortless consensus yet there's a popularity of the fashion and type of Kierkegaard's writing as being decisive for his importance this present day.

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